Directed by: Edward D. Wood, Jr.
Written by: Ed Wood & Alex Gordon
Full credits at IMDb
Ed Wood’s reputation as “The Worst Filmmaker Ever” is bullshit; his talentlessness is a myth, begat in the Age of Irony as a haughty reaction to the filmmaker’s conspicuous compromises in the face of budgetary constraints. It’s easy to laugh, for example, at his Bride of the Monster from 1955—at its poorly edited-in stock footage, at many of its non-professional actors—but it’s just as easy to appreciate its virtues: the touching details (the police captain who pours a glass of water for his pet bird), its critical depiction of police (callously rounding up hobos, bullying newspaper peddlers), its sense of humor (“this is the 20th Century!” the police captain says. “Don’t count on it,” a reporter replies), its battle of the sexes banter, and its exploration of marriage vis-à-vis the vanquishing power of love.
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