Directed by: Bradley Parker Written by: Oren Peli, Carey Van Dyke and Shane Van Dyke Full credits at IMDb
The most serious threats are invisible in the nuclear nightmare Chernobyl Diaries. Sure, there's a bear, wild dogs, and eerie architecture, but the most dangerous hide either in shadows or in plain sight, given away by a glimpse from the camera or a bleeping Geiger counter—they're radiation and its mutated victims. First-time director Bradley Parker—who cut his teeth doing visual effects for Matt Reeves, James Gray and others—exploits silence and darkness more than their opposites, keeping his monsters hidden from view, instead warming you to his charismatic actors before threatening them with simple thuds and other vaguely menacing sounds. He's an expert tension creator: his camera sticks too close to characters when you wish it would pull back (like Ti West's did in The Innkeepers), and hangs back too far when it ought to be closer; you feel like you're watching, but also like you're being watched.
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