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The Eclipse would be a great horror movie, if it were a horror movie. Noted playwright and stage director (cf. The Seafarer) Conor McPherson’s ghost-obsessed film includes a few surprising and truly unnerving scenes in which our hero confronts a cadaverous black-eyed spectre and deals with assorted thuddings in a creaky old house. But, unfortunately, these moments are few and far between; the bulk of the film concerns needling domestic dramas about a struggling single father caught in a love triangle with a couple of lovelorn writers (an irritating Iben Hjejle and a marvelous Aidan Quinn).Keep reading this dispatch from the 2009 Tribeca Film Festival at The L Magazine
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